12 Jun Extended Bibliography
Albrecht, G., (2012) The age of solastalgia. The Conversation, August 7
Anderson, R. (2001) Embodied writing and reflections on embodiment. Journal of Transpersonal Psychology, 33 (2), pp. 83-98.
Borges, J.L. (1954) trans. Kerrigan, A. (1991) Funes the Memorious. In Fictions. London: Calder Publications
Cage, J. (1990) River Rock and Smoke 4/13/90 (MOMA)
Calvino, I. (1997) Invisible Cities. Vintage
Cardew, C. (1971) The Great Learning, Paragraph 7. Deutsche Grammophon
Consandine, C. (2012) Cut Colony, installation. AGNSW, Sydney
Creswell Bell, A. (2018) A Painted Landscape: Across Australia from Bush to Coast. Australia: Thames & Hudson
Csordas, T. ed. (1994) Introduction: the body as representation and being-in-the-world. In Embodiment and experience: the existential ground of culture and self. Cambridge: Cambridge University Press. Retrieved from: https://books.google.com.au/books?id=24TAxcRJESQC&printsec=frontcover#v=onepage&q&f=false
Cupressus Sempervirens (2020) St. David’s Park, Hobart
Daly, Timothy Michael (2016) Towards a fugitive press: materiality and the printed photograph in artists’ books. Doctoral thesis (PhD), Manchester Metropolitan University
Daum, B. (2003) Modeling Business Objects with XML Schema. Morgan Kaufmann. Retrieved from: https://doi.org/10.1016/B978-1-55860-816-0.X5000-9
Dillon, B. (2010) The visual art of John Cage. The Guardian. Retrieved from https://www.theguardian.com/artanddesign/2010/jul/10/john-cage-composer-drawings-exhibition
Dylan, B. (1963) Suze (The cough song). Studio Outtake. The Basement Tapes, (2)
Elliott, R. (2009) The same distant places: Bob Dylan’s poetics of place and displacement. Popular Music and Society v32 (2) pp. 249-70
Gardels, (2009), West Turns East at the End of History
Gladwell, S. (2000) Storm Sequence, video. MCA, Sydney
Goudge, T. A. (1965) Peirce’s Index. In Transactions of the Charles S. Peirce Society (1)(2) pp. 52-70 Indiana: Indiana University Press Stable. Retrieved from: https://www.jstor.org/stable/40319509
Gruber, F. (2015, April 27) We allow such terrible things to happen to our world. The Guardian. Retrieved from https://www.theguardian.com/artanddesign/2015/apr/27/artist-john-wolseley-we-allow-such-terrible-things-to-happen-to-our-world
Halliday, J. (n.d.) Terrior. The Australian Wine Industry, Halliday. Retrieved from https://www.winecompanion.com.au/resources/australian-wine-industry/terroir#:~:text=The%20terroir%20is%20the%20coming,to%20name%20but%20a%20few.
Hay, P. (2012) Shape of the wind: pattern & chaos in Sue Lovegrove’s island art. Artlink. Retrieved from: https://www.artlink.com.au/articles/3761/shape-of-the-wind-pattern-26-chaos-in-sue-lovegrove/?fbclid=IwAR1lJCIX_sXUV-pvRwrkmz0gEIzH1MFHotIrKFdXSF7qP9UcbkTvB-3mnr8
Husserl, E. (1999) The Essential Husserl: Basic Writings in Transcendental Phenomenology. Edited by Donn Welton. Bloomington and Indianapolis: Indiana University Press
Ingold, T. (2000) The perception of the environment: essays on livelihood, dwelling and skill, London: Routledge
Johannesdottir, G.R. (2010). Landscape and aesthetic values: not only in the eye of the beholder. In Lund, K. A. (2010) Conversations with Landscape, 1st ed. New York: Routledge
Jullien, F. (2009) The great image has no form, or on the nonobject through painting, Chicago: University of Chicago Press
Jullien, F. (2016) The philosophy of living, USA: Seagull Books
Kiefer, A. (1996) Die berühmten Orden der Nacht. Artist’s book. Photographs and mixed media on paper and cardstock. 30 x 32 cm. (Getty Research Institute)
Kelly, E. (1978) printed 2015. Broken window, Paris. [photograph] (San Francisco, SFMOMA) Available at: https://www.sfmoma.org/artwork/2017.133/
Kelly, M. ed. (2014) Encyclopedia of Aesthetics (2 ed.). Oxford: Oxford University Press. Retrieved from https://www-oxfordreference-com.ezproxy.csu.edu.au/view/10.1093/acref/9780199747108.001.0001/acref-9780199747108-e-259#acref-9780199747108-e-259-div1-700
Krauss, R. (1977a) Notes on the Index: Seventies Art in America. October (3) pp. 68-81. Massachusetts: The MIT Press Stable retrieved from: https://www.jstor.org/stable/778437
Krauss, R. (1977b) Notes on the Index: Seventies Art in America. October (4) pp. 58-67. Massachusetts: The MIT Press Stable retrieved from: https://www.jstor.org/stable/778437
Lauwrens, J. (2012) Welcome to the revolution: The sensory turn and art history. Journal of Art Historiography, Vol. 7, p. 7
Lund, K. A. ed. (2010) Conversations with landscape. 1st ed. New York: Routledge
McFarlane, R. (2016) Landmarks. UK: Penguin
Merleau-Ponty, M. (2012) trans. Landes, D.A., Phenomenology of Perception. Taylor & Francis Group. Retrieved from: http://ebookcentral.proquest.com/lib/csuau/detail.action?docID=1433878.
Olwig K.R. (2005) Representation and alienation in the political land-scape. cultural geographies (12) pp. 19-40
Paz, O. (1987) A Tree within. New York: New Directions Books
Paz, O. (2009) West turns east at the end of time. New Perspectives Quarterly, (26) p4-9 Retrieved from https://doi.org/10.1111/j.1540-5842.2009.01107.x
Phillips, G. & Reed, M. (2018) Artists and Their Books / Books and Their Artists. Yale University Press: New Haven
Porter, M. (2019) Lanny. London: Faber and Faber
Powers, R. (2019) Overstory. London: Vintage
Ray, M. (1922) Rayograph. Gelatin silver print. 23.9×17.8cm. New York: The Metropolitan Museum
Rothko, M. (1958-9) Seagram murals, Mural Sections 2–5, 7. Tate Modern, London
Schama, S. (1995) Landscape and Memory. Toronto: Random House of Canada
Schama, S., (2006) Power of art, USA: Penguin Group
Schuilenburg, M. (2011) The Right to Terroir Place and Identity in Times of Immigration and Globalization. Open (21), pp. 21-28
Stiegler, B., 2013. Traveling in place: A history of armchair travel. Trans from German by P. Filkins. Chicago: The University of Chicago Press
Scorsese, M. (2019) Rolling Thunder Revue: A Bob Dylan Story. Film, Greywater Park productions, USA
Tang, D. (2013) CS240 Lecture Notes: Recursion. California State Polytechnic University, Pomona. Retrieved from: https://www.cpp.edu/~ftang/courses/CS240/lectures/recursion.htm
Wolseley, J. (2017) Distant glimpses of the great floodplain seen through a veil of trees and hanging vines. Watercolour and mixed media on wove paper, 230 x 1000cm, National Museum of Australia
Wylie, J. (2009) Landscape. Oxon: Routledge
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